Last weekend I took a busman's holiday and did some painting with the kids. As many of you know this is where creativity and destruction become the same thing. Great fun.
Above is a speed portrait of Edie (3 minutes I guess) done with the worst brush and paints I've ever used and under the threat of Oby destroying/creating it at any moment. I've never been obsessed with materials the way most comic artists are, perhaps that's why I was happy to embrace digital inks. All mark making is artificial to some degree and choosing a pen or brush to make an exact mark is no different than creating a pen in Manga Studio to do the same in my opinion.
I kept all the children's paintings, the marks they make are so fresh and wild they make great textures for my own work (multiply layer in photoshop etc). The red and purple composition that Oby is working on here ended up providing texture for Gerraint Ford's cover to one of the Infinity books we've been working on. It's here, take a look.
In the past I've used Edie's painting to create textures for Kackernory, H.G. Smells and Family Pet (click the labels for examples).
1 comment:
I do something similar. Whenever I need scratchy textures I get my son to scribble on a sheet of A4 with a biro. I scan that in, invert it if need be and drop it over an image on a channel in Photoshop.
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